by W. S. Merwin
It appears now that there is only one
age and it knows
nothing of age as the flying birds know
nothing of the air they are flying through
or of the day that bears them up
and I am a child before there are words
arms are holding me up in a shadow
voices murmur in a shadow
as I watch one patch of sunlight moving
across the green carpet
in a building
gone long ago and all the voices
silent and each word they said in that time
while I go on seeing that patch of sunlight
It is marvellous to wake up together
At the same minute; marvellous to hear
The rain begin suddenly all over the roof,
To feel the air suddenly clear
As if electricity had passed through it
From a black mesh of wires in the sky.
All over the roof the rain hisses,
And below, the light falling of kisses.
An electrical storm is coming or moving away;
It is the prickling air that wakes us up.
If lightning struck the house now, it would run
From the four blue china balls on top
Down the roof and down the rods all around us,
And we imagine dreamily
How the whole house caught in a bird-cage of lightning
Would be quite delightful rather than frightening;
And from the same simplified point of view
Of night and lying flat on one’s back
All things might change equally easily,
Since always to warn us there must be these black
Electrical wires dangling. Without surprise
The world might change to something quite different,
As the air changes or the lightning comes without our blinking,
Changes as our kisses are changing without our thinking.
Close close all night
the lovers keep.
They turn together
in their sleep,
close as two pages
in a book
that read each other
in the dark.
Each knows all
the other knows,
learned by heart
from head to toes.
The still explosions on the rocks,
the lichens, grow
by spreading, gray, concentric shocks.
They have arranged
to meet the rings around the moon, although
within our memories they have not changed.
And since the heavens will attend
as long on us,
you’ve been, dear friend,
precipitate and pragmatical;
and look what happens. For Time is
nothing if not amenable.
The shooting stars in your black hair
in bright formation
are flocking where,
so straight, so soon?
— Come, let me wash it in this big tin basin,
battered and shiny like the moon.
Just lying on the couch and being happy.
Only humming a little, the quiet sound in the head.
Trouble is busy elsewhere at the moment, it has
so much to do in the world.
People who might judge are mostly asleep; they can’t
monitor you all the time, and sometimes they forget.
When dawn flows over the hedge you can
get up and act busy.
Little corners like this, pieces of Heaven
left lying around, can be picked up and saved.
People won’t even see that you have them,
they are so light and easy to hide.
Later in the day you can act like the others.
You can shake your head. You can frown.
— William Stafford
How funny your name would be
if you could follow it back to where
the first person thought of saying it,
naming himself that, or maybe
some other persons thought of it
and named that person. It would
be like following a river to its source,
which would be impossible. Rivers have no source.
They just automatically appear at a place
where they get wider, and soon a real
river comes along, with fish and debris,
regal as you please, and someone
has already given it a name: St. Benno
(saints are popular for this purpose) or, or
some other name, the name of his
long-lost girlfriend, who comes
at long last to impersonate that river,
on a stage, her voice clanking
like its bed, her clothing of sand
and pasted paper, a piece of real technology,
while all along she is thinking, I can
do what I want to do. But I want to stay here.
All morning with dry instruments
The field repeats the sound
And in the wall
The dead increase their invisible honey
It is August
The flocks are beginning to form
I will take with me the emptiness of my hands
What you do not have you find everywhere